The production was conducted by David Loud. The original cast featured many of the actors from the original Toronto production, including Brian Stokes Mitchell as Coal House Walker, Marin Mazzie as Mother, Peter Friedman as Tateh and Audra McDonald as Sarah, all of whom were nominated for Tony Awards, as well as Steven Sutcliffe as Mother's Younger Brother, Judy Kaye as Emma Goldman, Mark Jacoby as Father and Lea Michele as Tateh's Daughter. Directed by Frank Galati and choreographed by Graciela Daniele, Ragtime closed on Januafter 834 performances and 27 previews. It was the first production in the newly opened Ford Center for the Performing Arts. The Broadway production began previews on Decemand officially opened on January 18, 1998. The US premiere was at the Shubert Theatre, Los Angeles in June 1997. In 1998, it was nominated for the Grammy Award for Best Musical Theater Album. A concept album, Songs from Ragtime: The Musical, featuring the Toronto cast was released on February 11, 1996. It was produced by Canadian impresario Garth Drabinsky and his Livent Inc., the Toronto-production company he headed. The musical had its world premiere in Toronto, where it opened at the then-called Ford Centre for the Performing Arts (now the Meridian Arts Centre) on Decemand ran for 9 months. Production history Original Toronto and Broadway production Morgan, Henry Ford, Stanford White, Harry Kendall Thaw, Admiral Peary, Matthew Henson, and Emma Goldman. The show also incorporates historical figures such as Harry Houdini, Evelyn Nesbit, Booker T. Set in the early 20th century, Ragtime tells the story of three groups in the United States: African Americans, represented by Coalhouse Walker Jr., a Harlem musician upper-class suburbanites, represented by Mother, the matriarch of a white upper-class family in New Rochelle, New York and Eastern European immigrants, represented by Tateh, a Jewish immigrant from Latvia. It is based on the 1975 novel of the same name by E.L. Washington is famous for advocating peaceful solutions to discrimination and racism, but Coalhouse tells him he insists on both the "truth of our manhood and the respect it demands" (37.3).Ragtime is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. Morgan's library.ĭoctorow dramatizes the difference between Coalhouse and accepted black behavior at the time through a clever technique-he brings in the black educator Booker T. This leads to the destruction of two firehouses and the killing of police and firemen, and ultimately, to his own death after he and his gang take over J.P. He wants nothing except revenge against everyone who wronged him. He's like Walter White meets Omar Little meets every character Liam Neeson ever played. Pay attention, kids: literature can save lives.Īfter Sarah's death, Coalhouse becomes that classic character in film and books that has nothing to lose. If Coalhouse had just paid attention to the morals of stories with hubristic tragic heroes, he would have been fine. We hate it when old truisms like "pride goeth before a fall" turn out to be true. But his pride turns out to be a fatal flaw-he won't marry Sarah until the car issue is resolved, which leads the beginning of his downfall when she's killed seeking justice for him. He's willing to wait for justice, however long it takes. He takes persistence to the next level, because he really, really likes Sarah.Īnd he does the same when he's told to forget about getting his car replaced. He stubbornly holds his ground when Sarah won't see him at first, returning every Sunday only to be turned away. He's a man who holds on to his principles. He is a proud dude.Ĭoalhouse doesn't take no for an answer-not when he thinks he's in the right, at least. As the narrator tells us, it does not occur to Coalhouse to "ingratiate himself in the fashion of his race" (23.5). Father thinks of Coalhouse as a man who doesn't "act or talk like a colored man" (21.14), and it is this demeanor-and his fancy car-that irritates the bigoted volunteer firemen and leads to the vandalism of his car. This is a man who doesn't back down from a fight. And Coalhouse doesn't just look at people, he stares them down. Both men pursue justice, and both meet the same tragic end.Ĭoalhouse is of course a very different character, though, because he's black at a time in America when being black and looking the wrong way at a white guy can get you killed. Ooh, here's a piece of trivia to impress your fellow Ragtime readers: Doctorow named his main character Coalhouse Walker after a character named Michael Kohlhaas (yep, sounds pretty much like Coalhouse) who suffers a similar humiliation in an 1811 novella published by Heinrich von Kleist.
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